The Keartons: Inventing nature photography


John Bevis

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ISBN 978 1 910010 09 9
192pp, 234 x 142
paperback with flaps
2016, £14.00
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This title is also available in
the US from 50 Watts Books


Reviews and articles

“I liked this book a lot. You certainly don’t have to be a nature photographer, or even a nature-lover to get a lot from this well-told tale of two trail-blazing brothers. It is well-written and well-illustrated with the Kearton’s photographs.”
Mark Avery

“It’s clear that the Keartons were aware they were ahead of the game in their techniques for establishing the field of nature photography, and they had the foresight to document their methods as they went along.”
Justin Partyka, Caught by the River

“…excellent book, informative and intelligent, beguiled and questioning…”
Tim Dee, The Guardian

“…inquisitive, discursive and comprehensive… Throughout this well-made book—it is handsome, solid and intelligently illustrated—Bevis deftly balances biography with analysis and wears his expertise likeably lightly…”
Richard Smyth, ‘Stuffed Ox, Dummy Zebra’ The Times Literary Supplement

In 1892, brothers Richard and Cherry Kearton took the first ever photograph of a bird’s nest with eggs. Realising the camera’s potential to reveal secrets of the natural world, they resolved to make the best possible records of their discoveries in the habitats, habits and behaviour of birds and other creatures. The following three years of field work resulted in the first nature book to be illustrated entirely with photographs.

This was the springboard to two outstanding careers in wildlife photography. Richard developed the photographic hide through a series of devices which included the extraordinary Stuffed Ox, was author of numerous best-selling nature books, and with an exhaustive programme of public lectures did more than anyone of his generation to popularise nature studies. Cherry excelled at both still and cine photography, made the first recording of birds singing in the wild, and brought back the first film footage of African big game. They were, as numerous natural history photographers have proclaimed, founding fathers of their discipline.

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This new and definitive study concerns itself with the lives and partnership of the Keartons, especially their role in the history of nature photography; their attitudes to and interaction with nature; and the status of invention in their work. Reproduced throughout the book are the remarkable photographs that they declared as having been taken ‘direct from nature’.


John Bevis is a writer specialising in nature and the arts, poetry and criticism. His involvement in writing since the mid-1970s has gone hand-in-hand with working in book design, printing and publishing. As well as many critical essays and commentaries on the work of individual artists, his books include Printed in Norfolk (RGAP, 2012) where he describes a history of the gallery and artists’ publisher Coracle Press; Aaaaw to Zzzzzd: The Words of Birds (MIT Press, 2010) a study of the various ways we attempt to capture, preserve, imitate and influence the songs of birds, with a lexicon of ‘bird words’; and From Furnace to Paradise… and back (Coalport Press, 2005) about the landscape of the Ironbridge Gorge, Shropshire.